Morning on the Beach
It's uneven where I stand, the beach,
mostly.
The world sways whenever I think.
And that thought, next to me,
unravelled
and twisted, quivers the world in the
river.
Five or six swans cross my path.
Each, white-feathered and
tired-looking,
Breakfast table-ignorant, quacking,
Dropping into the water. There is no
other sound.
Only they are not swans, they are
geese,
And one watches me as I pass, not
saying a word.
Its feathers whiter in morning light,
its holiness
Diminished with a look of mutual
awareness.
If I were a swan or a goose I, too,
would
Stand and stare at me. Because what
else
Is there to do? The sunlight grows.
This morning magpies its jewel
sunshine.
I turn to the right, the roar of wind
and earth,
There is a sense of absolutely
everything beyond me.
I turn my head to the left,
There is silence but the waves.
This is an untitled poem. I wrote both when I started jogging in the morning on the beach where I live. This one I used the leftover images from the previous one.
For me, when I run, I'm vacantly
religious.
I don't have to think and I don't have
to
live like I do when I'm slow.
Mediocre sand-colours swarm a bleak
screen
Up to a point, blown like dust. A dog
coughs.
When I run, I'm important elsewhere,
A mighty King of Nowhere, surrounded
By horizon, left soft overnight.
And the rocks, water-marked,
breath-held
Like dead fish, present a familial
presence
Somewhere. Back home, maybe.
When I run, the earth screams at me.
I love living when I don't have to
think,
But I think I don't live when I love.
There is no sand so holy without me.
Back home, somewhere maybe, I am
Slow. A pregnant rat, its belly
engorged
And stretched, pink and balloon-like.
She sees me and runs away,
She, too, is vacant. I see it
In her religious eyes. I see it in
Everyone I meet. Like a daydream.
I walk, most of the time, slow,
A lot less religious than I was,
And I think, perhaps, no less holy than
sand.
I'm on Write Out Loud, a website that encourages performance poetry. Here's my profile: http://www.writeoutloud.net/profiles/michaelholloway
Here is my short story The Young Man and the Old Man which appeared on the wall of FACT (Foundation for Art and Creative Technology) which is an art house cinema in Liverpool. It was on display there earlier this year.
The actual story is here:
The Young Man and The
Old Man
He got on the train and said goodbye to
her. Held her in his arms as she clung to his chest, reluctant to
let go. She stood and waved from the platform.
He sat down. There was an old man
sitting in the seat opposite and facing him. He had white receding
hair which flopped over the rest of his scalp. A huge nose. Skin
rough and thick like the soles of his feet. A woman with a crying
baby got off the next stop and the train went silent.
'What are you?' the old man said.
'What?'
'Six foot?'
'I don't know,' the young man said.
'Yeah, something like that. Around five-nine.'
'Like me when I was your age. Tall
lad. Nice girl you got. You look like me when I was your age.'
'Is that right?'
'Just think,' the old man said,
'you'll end up looking like this.' He pointed at his thick-skinned
face, tobacco-coloured and wrinkled.
'I doubt it.'
'I know you do.'
'Yeah.'
'When I was your age I didn't listen.'
'Yeah.'
'When I was your age – '
'Okay,' the young man said. 'Okay. I
get it.'
The train went silent once again, but
for the rickety-rick of the
wheels and the air whooshing
in through an open window, from which a burning smell could be
smelled from the factories.
'If I were you,'
the old man said, 'I'd forget about myself. Just focus on her. On
what you got right now. You don't matter.'
'Okay.'
'Women are rare.
Love is hard to come by.'
'Okay.'
'You're not
listening.'
'Hey,' the young
man said, 'I don't know you. Why should I listen?'
'I'm just giving
you some advice.'
'I don't need
any.'
As the train
picked up speed, the window created a pocket of air that roared like
a fire, but then there was a fire outside. It was a person, burning
alive as black smoke flew off her. And then they passed her by.
No one else saw
her except the young man. The old man carried on giving him advice.
But still the young man didn't listen. When the young man got off
the train at his stop he was the only one to get off. He didn't
smell any burning. Neither did anyone else.
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